Bye Bye Blackbird (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

On a Clear Day (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

A Touch of Spice (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Lady C Good (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Seven Steps to Heaven (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Basically Blues (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Misty (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

In a Mellow Tone (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Stella by Starlight (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Monday's Dance (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

The Days of Wine and Roses (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Blues for CJ (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Caravan (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.

Drew's Blues (Live)/Unreleased

I recorded the band weekly back at the turn of this century (1999-2001) using a pre-amp, direct-to-disc. The mic placement disallows a balanced sound (heavy on the saxes), but good things were happening from a who's-who of Atlanta jazz talent.